Korg Soundlink Digital workstation post
Pro Audio
Korg Soundlink Digital workstation post-production NICE

Korg Soundlink Digital workstation post-production NICE
Start Price USD 1,399.99
Current Price USD 1,399.99
Time Left -
Bid Count 0
Buy It Now Price -
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Start Time Saturday, October 11, 2008
End Time Wednesday, October 15, 2008
Location Boston, MA

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Description
This is a complete recording studio! (minus speakers & mics & cdr!)8track 8xlr ins/8xlr outs + master outs! REVERB, LIMITERS ect!!!************There are 19 people watching this unit yet no one has made an offer? I am motivated to get this unit out of my studio to make room. ALL serious offers considered. Don't delay, first offer to come in just might win this beast!*************================================================================================================------------------------------------------------------------------------------------------------------------------------------------------------------------------no serious offer refused!!!!!!!!!!!!!!!!!!!!!i will charge exact shipping only. If you over pay on shipping. I will re-imburse you. On the other end, if I undercharge, then you agree to make up the balance of the underpayment. I will cover the cost of boxes and packing materials.KORG SOUNDLINK! WOW! RARE!(((NO HYDROLIC STAND INCLUDED))))!!! Cost $43,000.00 when new back in 1992. Still used by many audio post production facilities! Works great! I don't have the manuals. But easy to learn if you know about computers and recording. I am an analog head, have an old analog mixer and tape machine and this just doesn't get used(I made one music video with it and it helped immensely, basically paid for itself with just 1 job). Classic piece of gear that is impossible to find if you were looking. Not many made because of the high retail cost. Not too many home recordists could afford this one. System SpecificationsAnalog Audio In/OutCHANNEL INPUT 1-8 10KI2 +4dBu typ. +l6dBu max MASTER OUTPUT L,R 1001t +4dBu typ. +16d8u max CHANNEL OUTPUT 1-8 1001t +4dBu typ. +l6dBu max PHONES (MASTER)METRONOME OUT 30012 +4d8uSEND SNAPSHOTPHONE SETTING Digital Audio In/Out 2CH ASSIGNABLE INPUT(AES/EBU) (CDIDAT) 2CH ASSIGNABLE OUTPUT(AES/EBU) (CDIDAT) AUX A,B OUTPUT(AES/EBU) (CD/DAT)XLR Digital Effect AES/EBU,S/P DIF RCA REVERB SNAPSHOTXLR RCAControl/Sync Interfaces LTC/SMPTE OUT MIDI 1 OUT THRU MIDI 2 (MTC) OUT THRUCOMPOSITE VIDEO VITC VIDEO REFERENCE KEYBOARDINTERFACE EXT. DISPLAY COMPUTERINTERFACE IN VCR REMOTE CONTROL(NTSC: Composite Video) RS-422A Digital Audio Recorder SAMPLING FREOUENCIES A/D44.1 kHz/48 kHz l6bit LINEAR l8bit LINEARD/A AUDIO TRACKS 8 (REC+PLAY)RECORDING TIME 920 track minutes MAIN STORAGE BACK UP UNIT - 8mm Video Tape Cartridge Automated Digital Mixer FADER MUTE SOLO EQUALIZER SNAPSHOTCHANNEL 1-8, MIDI VOLUME, MASTER CHANNEL 1-8 LIMITER SNAPSHOT AUTO Send A Send BReverb BalancePan L50 PhaseHigh Pass Filter Outoff Frequency Noise Gate ThresholdEqualizer Bypass Channel Out Pre/Post FADER+MUTE EVENTS EDUALIZER+SEND SNAPSHOTSEffect On/0ff Input Level Output Level Reverb Type Reverb TimeHigh Frequency Damping Factor High Equalizer FrequencyHigh Equalizer GainLow Equalizer Frequency Low Equalizer Oain Reverb DelayReverb AmbienceReverb Early Reflection Delay Reverb Early Reflection Ambience Early Reflection BalanceEffect On/0ff TrimRatio Threshold Attack Release Time REVERB+LIMITER SNAPSHOTSPRE or POST Total 10,000 Events Total 400 CuesROOM, HALL, PLATE 0.1 to 10[sec] 0(OFF) to 100[o/a]Total 400 CuesMIDISequencer TRACKS 16 TRACK+1 Master TRACK CUE/SONGIPATTERN 20/201200 EVENTS Total 50,000 Events (16,000 per TRACK) REC RealtimelStep RESOLUTION96 per 1/4 note (1-5 beat/bar) 48 per 114 note (1-10 beatlbar) Dimensions & Weight CONSOLE UNIT (SLlOOC) 700W x 199H x 475D mm 11.5kg MAIN UNIT (SLlOOM) Standard 19" rack mount: 23.5kg 480W x 232H x 457.8D mm (5u) STORAGE UNIT (SLlOOS) Standard 19" rack mount: 24.0kg 480W x 232H x 453.5D mm (5u) Miscellaneous POWER MAIN UNIT (SLlOOM) 100W max STORAGE UNIT (SLlOOS) 240W max Operating Range 5 to 40'c 20 to 80o/o RH non-condensing *IBM Trademark of International Business Machines.Korg USA, 89 Frost St., Westbury NY 11590.© KorgI had an offer from France and from Germany, which I don't want to ship this monster overseas, because it has 3 boxes(3 large boxes) and would cost $1000.00 just to ship to Europe Research rates (so if your from Europe and want this, please understand, it's not going to be cheap to ship) Would have to be shipped fedex for international(I know it will run about $300-400 per box X 3 boxes). I ONLY ACCEPT MONEY ORDERS from OVERSEAS. I will accept paypal in the USA but prefer a personal check / cashiers check or /money order. The condition is quite nice, which just a few minor scratches. It really looks almost new. It's built like a tank and it's quite heavy. ( I will post dimensions however 2 units fit into standard racks. And the controller is about an extra 4 - 6 inches wide. The weight of the controller is about 20+/- a few lbs 25x19x5, & the 2 other rack units are quite heavy. Approx 40-50lbs each, 5 rack spaces high about 16 inches deep) Also keep in mind, not only the size but the extra packing needed to ensure safe delivery. About 2-3 inches all around each unit. Whatever form of payment, it is due within 7 days from purchase. Thanks for your interest! ANd look for pics posted soon! (the photo of the unit on the stand is from the brochure I found online. Pics of the actual unit will be posted asap. But if you have doubts please ask questions before bidding/purchase, and please check my feedbacks to see that I am a good seller. Also,.... please keep in mind, this will take me a few days to get boxes for packing, so please, if you buy this, be patient with me as I am not used to shipping devices this large. I think UPS in the USA would be about $200-300 to ship depending on distance(I am at zip code 01757). So, not that bad considering if your in the 48 states. Of course, pick-up would be BEST if possible! All chords/scussi included. So you don't need to buy anything to get this up and running. Don't miss out on this rarity! Would be great for the home recordist, but perhaps TOO much. If your doing video.... this is a nice alternative to todays computer based systems that I hear crash. This unit has NEVER crashed while we were using it. Korg spared no expense.       Milestone � The Korg Soundlink          Soundlink comprised three major units. The 5U processor contained the brains of the system and all the I/O. There was no shortage of the latter; it included eight channels of balanced, analogue I/O, stereo analogue outputs, digital AES-EBU inputs, assignable AES-EBU outputs, auxiliaries, and even niceties such as a dedicated metronome output. In keeping with its high-end status, there were also synchronisation and control interfaces including LTC/SMPTE, composite video, VITC, RS422 and a Sony nine-pin VCR remote control. Oh yes... and dual MIDI In/Out/Thru. This was not as 'low-end' as it might seem. Soundlink was perhaps the first professional recorder to offer MTC synchronisation.The second unit was the Digital Audio Recorder itself, another 5U rack containing the hard disk drive, an Exabyte backup unit, and two slots for additional SCSI devices. Recording quality; 16-bit, with sampling frequencies of 44.1kHz and 48kHz.The third unit was the beautifully designed, dedicated control surface (below). For almost the first time, this integrated control over digital recording with an automated digital mixer, with large level indicators complemented by a backlit LCD, the information on which could also be displayed on a standard CRT monitor. The system's capabilities were first-class in 1992, setting new standards for 'low-cost' recording and post-production systems. There was three-band EQ, gating, compression/limiting, and a powerful reverb processor, all with snapshot automation that offered up to 400 cues per session. The MIDI sequencer would have looked familiar to anyone with a Korg keyboard workstation, and offered 50,000 events at up to 96ppqn. But Soundlink's greatest strength was that it was designed specifically for the job and, unlike a 1992 PC and a bunch of miscellaneous outboard boxes, it was fast and efficient in use.  

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